Historical Development and Terminology of Classical Music:
– The term ‘classical’ originated from Latin ‘classicus’ and evolved to connote formality and excellence.
– In music, it became associated with a canon of works in 18th-century England.
– London’s public concert scene and institutions like the Academy of Ancient Music played key roles.
– Renaissance scholars linked classical to writers of antiquity, influencing its association with music.
– The cultural renaissance in France under Louis XIV elevated contemporary writers over classical antiquity.
Musical Styles and Periods in Classical Music:
– Medieval music was religious and vocal, influenced by ancient Greek and Roman music.
– The Baroque period standardized tonality and emphasized instruments, birthing opera.
– The Classical period saw symphonies, quartets, and concertos by Mozart, Haydn, and Beethoven.
– Romantic music celebrated virtuosity and nationalism, focusing on programmatic pieces.
– 20th-century composers embraced modernism, experimenting with new techniques.
Global Influence and Contemporary Trends in Classical Music:
– Post-World War II saw a shift towards older music with the availability of recordings.
– Trends like New Simplicity, Minimalism, and Postmodernism emerged in the mid-20th century.
– Classical music practitioners from Americas, Africa, and Asia gained prominence globally.
– Symphony orchestras and opera houses have proliferated worldwide, showcasing universal appeal.
– Composers in the 20th century drew inspiration from diverse sources and experimented with new techniques.
Roots and Early Music in Western Classical Tradition:
– The Western classical tradition began with music for the early Christian Church.
– Scholars like Cassiodorus promoted music in education in Greco-Roman society.
– Medieval music evolved from monophonic chant to polyphony in the late Middle Ages.
– Instruments like the flute, recorder, and lute existed in medieval music.
– The Renaissance era saw greater use of instrumentation and interweaving melodic lines.
Notation, Composition, and Vocal Music in Classical Music History:
– The printing press revolutionized music preservation and transmission in the 15th century.
– Notation of music on a staff began to take shape, separating composition from transmission.
– Vocal music in the Renaissance flourished with elaborate polyphonic styles.
– Sacred music composers adopted secular forms like the madrigal.
– Early dramatic precursors of opera emerged, with Jacopo Peri considered a pioneer.
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" can also be applied to non-Western art musics. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history.
Rooted in the patronage of churches and royal courts in Western Europe, surviving early medieval music is chiefly religious, monophonic and vocal, with the music of ancient Greece and Rome influencing its thought and theory. The earliest extant music manuscripts date from the Carolingian Empire (800–888), around the time which Western plainchant gradually unified into what is termed Gregorian chant. Musical centers existed at the Abbey of Saint Gall, the Abbey of Saint Martial and Saint Emmeram's Abbey, while the 11th century saw the development of staff notation and increasing output from medieval music theorists. By the mid-12th century France became the major European musical center: The religious Notre-Dame school first fully explored organized rhythms and polyphony, while secular music flourished with the troubadour and trouvère traditions led by poet-musician nobles. This culminated in the court sponsored French ars nova and Italian Trecento, which evolved into ars subtilior, a stylistic movement of extreme rhythmic diversity. Beginning in the early 15th century, Renaissance composers of the influential Franco-Flemish School built off the harmonic principles in the English contenance angloise, bringing choral music to new standards, particularly the mass and motet. Northern Italy soon emerged as the central musical region, where the Roman School engaged in highly sophisticated methods of polyphony in genres such as the madrigal, which inspired the brief English Madrigal School.
The Baroque period (1580–1750) saw the relative standardization of common-practice tonality, as well as the increasing importance of musical instruments, which grew into ensembles of considerable size. Italy remained dominant, being the birthplace of opera, the soloist centered concerto genre, the organized sonata form as well as the large scale vocal-centered genres of oratorio and cantata. The fugue technique championed by Johann Sebastian Bach exemplified the Baroque tendency for complexity, and as a reaction the simpler and song-like galant music and empfindsamkeit styles were developed. In the shorter but pivotal Classical period (1730–1820) composers such as Wolfgang Amadeus Mozart, Joseph Haydn, and Ludwig van Beethoven created widely admired representatives of absolute music, including symphonies, string quartets and concertos. The subsequent Romantic music (1800–1910) focused instead on programmatic music, for which the art song, symphonic poem and various piano genres were important vessels. During this time virtuosity was celebrated, immensity was encouraged, while philosophy and nationalism were embedded—all aspects that converged in the operas of Richard Wagner. By the 20th century, stylistic unification gradually dissipated while the prominence of popular music greatly increased. Many composers actively avoided past techniques and genres in the lens of modernism, with some abandoning tonality in place of serialism, while others found new inspiration in folk melodies or impressionist sentiments. After World War II, for the first time audience members valued older music over contemporary works, a preference which has been catered to by the emergence and widespread availability of commercial recordings. Trends of the mid-20th century to the present day include New Simplicity, New Complexity, Minimalism, Spectral music, and more recently Postmodern music and Postminimalism. Increasingly global, practitioners from the Americas, Africa and Asia have obtained crucial roles, while symphony orchestras and opera houses now appear across the world.
